How to make Animated cantoons
PDF | 10 MB | Eng
The people from animationresources scanned this book, one of the very first on animation history.
A foreword was made by Paul Terry, which is real funny because he talks about the artistic possibilities of cartooning: animation as an art form! ... I mean, this comes from the same cheap bastard that proudly used to said: "If Disney is making chicken pâté, then we are making chickenshit!"
In the first chapter we have a brief history of the attempts to give illusion of movement to drawings: from the Altamira cave pictures till Emile Cohl's animated cartoons. A sweet mention to the Big Four: John Bray, Earl Hurd, Raoul Barre and... Paul Terry of course. According to the book he was the greatest pioneer of them all (I'm not being sarcastic here, I sort of agree with that). So Terry got the most pages and attention: Little Herman, Farmer Al Falfa, and the Aesop's Fables. And then the usual topics: McCay's Gertie the Dinosaur, Felix the Cat, Max Fleischer and Walt Disney (didn't give his permission to show pictures of Disney characters, BOO!!).
In the second chapter we take a journey through each of the "seven major" cartoon studios at the time: The Fleischer Studios; Walt Disney Productions; Terry-Toons; MGM cartoon Division; Walter Lantz Productions; Leon Schlesinger Productions and Screen Gems.